The Olympia Theatre opened in 1926 as a silent film palace and the first AIR-conditioned building in town

The Olympia Theatre is a theatre located in Miami, Florida. Designed by John Eberson in its famous atmospheric style, the theatre opened in 1926. Throughout its history, the venue has served as a movie theatre, concert venue and performing arts centre. In 1984, he received a historical appointment by the NRHP. The Olympia Theatre and its sister place, the Tampa Theatre is the only atmospheric theatre left in Florida. The Olympia Theater opened in 1926 as the silent film Palace and the grandest Vaudeville House in downtown Miami. Today, Olympia is home to live performances, films, community events, corporate meetings and social affairs.



The City of Miami has an increasingly old Olympia Theatre in the Gusman Center for Performing Arts at the 174 E Flagler St., managed by the Olympia Center Inc. Who is not looking for profit. One of Miami's best plays is a control game right now. Hidden behind the curtains of the Olympia Theatre at the Gusman Performing Arts Centre in downtown Miami. The Olympia Theatre opened in 1926 as a silent film palace and the first AIR-conditioned building in town, and was donated to the city as a cultural art facility by the family of Maurice Gusman in 1975. The theater is named after the National Register of Historic Places. In 1984. Although the auditorium has undergone renovation over the years, the entire building has undergone better days, including about 80 apartments on the floor above the theater and the brick exterior. While iconic places continue to host concerts and other major events, the property needs to work.

Some of the games to control the old theater and its buildings on it seem to be one of the constant life of Miami, and we have regularly supported the maximum public use of the castle of classical moving images submitted on In 1975 by the owner Maurice Gusman to the city of semi-autonomous parking parking due to the chairman of the Parking Council, Colonel Mitchell Wolfson, whom he considered the best theater jewel keeper seated in the National Historic Register. The latest installment of the drama series is revealed in this paper last week: A concealed developer has been talking to the city about taking complex control. The details of any deal being discussed are hidden. The proposed public-private partnership is said to be heading towards a city commission discussion that on weekends there is nothing in the Commission agenda for this week.